Patriot is a stupid unthinking being that shouts the same message, Patriot is the sans version of ‘Exocet’, a font released through Emigre. [Patriot missiles shoot down other missiles, so there must be some logic there] Patriot letterforms are based on primitive greek stonecarving.
Kidela is an exuberant and eccentric serif typeface reminiscent of hand painted signage.
Kidela features tight kerning and spacing, and some interesting effects can be achieved by adjusting the tracking.
The typeface includes 64 discretionary ligatures to extend the natural hand painted look, alternates, oldstyle figures and small caps. Please see the sample brochure to see these ligatures in action.
Kidela is an excellent choice when you need a fun and interesting serif.
Barnhard Brothers and Spindler called this typeface Congo when it appeared in their circa-1910 type catalog.
The design is characterized by strong Art Nouveau influences, tight spacing and a large x-height.
An inspiration for two fonts of FA Modernista was the second page of Polish vanguard magazine “Praesens” Nr 1 from 1926 designed (as the first page) by Henryk Stażewski. The type applied - Baccarat was a sans serif from Polish foundry Jan Idźkowski i S-ka.
Fonts FA Modernista imitate the effect of letterpress with spilled printing ink. Letters of two cuts vary in distortion as in the old days of letterpress technology.
Zucker is an extreme point of type. It is an artifact of neo-classic times (enlightenment) with its beautiful types like Bodoni, Walbaum and Didot. The fineness of copperplate engraving is now replaced by digital accurateness.
But it is like the reproduction technique couldn't keep up with the letters and all connections are dissolved. The leftover is a visual experiment, the reader completes the type.
The design of the type family ›libre‹ started as an University project under the auspices of Prof Lu(as) de Groot in Potsdam. It was enlarged step by step in typographical features and internationalisation.
The qualities are visible in a wide range of font weights as the specially drawn italic suggest. The weights are carefully drawn so that the thinnest is powerful like a poster type and the thickest is as elegant as an airy script.
The family is usable in the whole of Europe, because of the Cyrillic and Greek character sets (JHA LibrePro).
The design of the type family ›libre‹ started as an University project under the auspices of Prof Lu(as) de Groot in Potsdam. It was enlarged step by step in typographical features and internationalisation.
The qualities are visible in a wide range of font weights as the specially drawn italic suggest. The weights are carefully drawn so that the thinnest is powerful like a poster type and the thickest is as elegant as an airy script.
The family is usable in the whole of Europe, because of the Cyrillic and Greek character sets (JHA LibrePro).
The design of this type started for only one project. As it is so often the type was enlarged to a family, fitting more complex typographic settings. The form derived from the 30s, the peak of modern spirit.
YeniZaman’s formal appearance is even stricter interpreted and its rhythm brought into the present.
Brush Up is the cool handpainted typeface you are looking for. Swiftly painted on paper and carefully translated into a font, it brings 3 glyphs for each letter and 2 for each number, plus variations for some punctuation marks.
The font is nicely programmed to cycle these alternate glyphs when Contextual Alternates engines of applications are turned on. Or, you can always pick up your choices manually through a glyphs palette.
Either way it will certainly turn out refreshing!
Surprisingly versatile, Brush Up is available in two cuts – upright and oblique – and will greatly fit tons of purposes.
Is it a headline? A small chunk of text? Maybe not that small? Ok, just Brush'em all!
Mrs Summer is a hand drawn narrow typeface with a Western touch. It has only uppercase characters with alternate glyphs in place of lowercase letters and additional alternate glyph in a Stylistic Set.
It has build in OpenType Contextual Alternates feature that will automatically set alternate glyphs depending on frequency of appearance of the same character (even in web font but only in HTML5 browsers).
The script doesn’t just throw random glyphs.
Additionally Mrs Summer is filled with ornaments, arrows, stars, horses, trees and a lot of other symbols.
Neuron Angled is based in the idea of Neuron, the original font designed in 2012 by Corradine Fonts' team, keeping from its predecessor the proportions and slight narrowness. In this version the rounded edges are replaced by sharp contours and flat endings.
A broader typographic system is proposed in Neuron Angled to obtain a versatile and modern typeface without missing its original distinctive style.
The neutral aspect of the family allows its application in a wide range of projects specially in those related with branding, signage and editorial design.
The Neuron Angled family consists of four styles with eight weights each one, for a total of thirty two fonts. The different fonts of the family are not just complementary to each other, but can be used to complement the original version of Neuron.
Its wide character map provides coverage for Western European, Eastern European and Cyrillic scripts.
Mirabelle from Magpie Paper Works is a family of four hand-lettered fonts designed to coordinate with each other or stand alone as display faces. Each font was created with a felt-tipped pen & ink, and includes a full set of capital and lowercase letters, as well as multi-lingual support, currency figures, numerals, and punctuation.
With its slightly rough edges, Thumbnail Text works well where lettering is required. Letterforms wiggle a bit here and there but are generally quite uniform. Characters are a bit imprecise - but not showy or bouncy.
They appear more adult-looking than childish and are very legible.
Put Thumbnail Text to work as drafting notation or on blueprint projects that need to be easily read. It¹s also useful when concept or sketch stage lettering needs to look serious but not highly stylized.
You might experiment with it inside cartoon thought balloons or in callouts. More…
A lowercase has been added for greater functionality.
This advanced feature works in current versions of Adobe Creative Suite InDesign, Creative Suite Illustrator, and Quark XPress. Check for OpenType advanced feature support in other applications as it gradually becomes available with upgrades.
A precise legible typeface inspired by the classic font Eurostile.
The idea was to produce a functional text based font that would demonstrate technical interest at a variety of sizes.
The typeface is ideal for use on print, web, motion, t-shirts and apparel.
Details include 250 characters, manually edited kerning and Euro symbol.
Based upon CA BND (the clean version) CA BND Trash is a rough and dirty version of our favorite DIN-like font.
We recommend it for use in zombie movies title design, headlines for ads of a soft-drink manufacturer (who hopes to be cooler, if he uses rough typefaces), or for emocore, hardcore, softcore or "whatever-core" bands.
Uhhh, its the time for the living dead.
This is a stylized sans serif font family that is very high-waisted and sleek. The stroke is only slightly modulated. The letterforms are higher, with a more open aperture, and sprinkled with breaks to add light and sparkle.
This an attempt at a readable sans serif for text.
It has many OpenType features and 465 characters per font: Caps, lower case, small caps, old style figures, numerators, denominators, accents characters and so on.
Berthold Wolpes set out to make a print typeface when he began work on the font Albertus. First came an all caps alphabet, Albertus Titling, in 1938 he added the lower case letters and finished the rest of the font’s characters by 1940.
The italic version of the font distinguishes itself in its narrow forms, but it is recommended that it be used sparsely when mixed with the roman in longer texts.
Discharge is a bold, heavy, distressed and destroyed sans serif typeface. It was started alongside Universally Corrupt and Insurgent, but it took a couple extra years to finish.
It was expanded to include extended Latin, extended Cyrillic and Greek alphabets, so it will work with most languages in Europe and the Americas.
Inspired by 15th century Venetian italic book texts and based on examples from volumes on the history of type. Fourteen64 has a rugged charm and lots of character featuring ‘Roman’ capitals with italic lowercase.
Includes alternate characters, extra ligatures and a small selection of medieval ornaments.
This innovative styled Mosaic font was created to suit various design applications within the typeface market and is aimed at people looking for a modern styled brush script typeface that doesn't fit in with the regular trends of script fonts.
Designed and produced by Paul O'Connell of POCT, it is a slick and light hearted script typeface that reflects many irregularities, but still manages to retain a very balanced and modern feel with just a touch of fun too.
A slim, crunchy and slightly worn-looking font.
Comes with unique accented letters, ligatures for double letters and numbers along with OpenType alternate letters.
You will need to use OpenType supporting applications to use the autoligatures.
Goudy Handtooled was done in 1922 and is a shaded version of Goudy Bold. Some authorities credit the design to Charles A. Becker and others to Morris Fuller Benton and Wadsworth Packer.
Vibrocentric is a sickeningly sweet flare serif monstrosity with curb appeal. Let the games begin.
A descendant of the types of Claude Garamond, Sabon was designed by Jan Tschichold in 1964 and jointly released by Stempel, Linotype, and Monotype foundries. The roman design is based on a Garamond specimen printed by Konrad F.
Berner, who was married to the widow of another printer, Jacques Sabon. The italic design is based on types by Robert Granjon, a contemporary of Garamond’'s.
This elegant, highly readable typeface is excellent for sophisticated uses ranging from book design to corporate identity.
Like fresh, warm just-out-of-the-oven bread, Wheat is wholesome and comforting.
Wheat’s crusty texture and bubbly, hand-drawn letters give it all natural appeal.
OK Corral is a revival of a very old Italian font that you may have seen in the past under the original name of Italian Print.
The Lined version of this font has never been known to have a lower case set of letters until now.
The Ladislav font revitalises Sutnar’s legacy, while not explicitly copying any of his original fonts. It however keeps true to their technicist character and initial principles of character creation - a simple modular system of combined geometrical segments.
This approach affects all round shapes of capital and lowercase letters, as well as the shapes of the majority of numbers.
Inspired by the tracks of a railroad, with stems that narrow at the top, Railham typeface, like a train looks to the future without forgetting the fundamentals of a long road, detaining in the detail of every element to form a strong, fast and versatile family.
Retaking and uniting essential concepts of typography, rounded serifs with especially wide base, forms and counterblocks that complement together, RailHam typeface neatly adapts to any topic, besides being practical and readily legible in small and large formats, joining a select list of modern slab serif fonts.
Amethyst is a calligraphy style font with a moving baseline and lots of shining personality.
This hand written style font is based on one of Molly’s signature calligraphy styles and pairs beautifully with Frosted, Icing, Saint Agnes.
Freska is a custom font which is applicable for any type of graphic design - print, web, motion graphics etc.
Inspired by the local city dump is Junkyard, a fat, chunky, boxy and delightful font made by Victory Type. It’s surprisingly easy and enjoyable to read! It adds pizzazz to any document
Scan is literally a barcode font, made of actual barcodes, shaped in De Stijl style. It is a monospace, all-caps font with two different barcodes per letter. These offer the user a choice of a heavier look with the upper case and a lighter look with the lower case.
Numbers and letters each have their own distinct barcodes. Also included are an alternate K and R. More…
In certain contexts it has a foreboding look of impending doom, or a cool, cutting edge futuristic look, which lends itself to artwork for album covers, video games, movies, television, novels, and more.
It can even have a whimsical look with the use of different colors for its individual bars. Some renderings reveal a ridged or textured look, even a 3D or three dimensional look.
Mouse is a fully accented pixel font for use at 8 pt size.
Please take a look at Mousedings, where you can find numerous web symbols.
This is a “Grunge” style font that looks as if it was overexposed on film. It is funky yet still very readable. It is best used in sizes over 12 points but really looks cool when used over 16 points.
This is a favorite for use in video graphics.
Loosely based on an early 20th century type from the Brussels foundry of Van Loey-Nouri.
Many European foundries had fonts of this general design. Schelter & Gieseke of Germany had several.
Every once in a while a weird font comes along that sets your graphics on its ear. Zupiter has that talent; its zany, angular lines make text look like it’s about to bounce off the page.
