Kiddy Kitty is a soft and friendly sans-serif type family which consists of 6 upright italic and 5 italic weights. It supports Western and CE Latin and Cyrillic, and it also has some ligatures and swashes and 16 carefully drawn cat dingbats in each font.
Kiddy Kitty is good for greeting cards, children’s books and package design. It is designed by Vasily Biryukov with some support of Alexandra Korolkova.
The typeface Fry was developed in 2008 specially for the Sky-Fish company (fish and seafood dealer).
This type is designed for small texts and has a friendly and a fairytale historic flavor.
Fry takes the openness and dynamism of humanistic sans serif, the simple and softness of lubok’s letters (primitive style) and the fluidity of shallow marine fry. Despite its funny style, Fry works well even in the 5 point size.
In large sizes Fry demonstrates its originality, vivacity and softness, in the small characteristics become less visible, and Fry’s readability becomes more important. This makes the typeface suitable for many tasks of typography.
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The combination of lubok’s aesthetics and funny dynamic forms make a nature of Fry.
It was awarded for excellence in type and graphic design at Modern Cyrillic 2009 competition. Also it received the second prize in display category at Granshan 2011. Fry was selected among 50 typefaces for the Call for type exhibition in the Gutenberg museum (2013).
Inspired by a small fragment of sign-written lettering, discovered by accident, Snag is a robust mono-line font with small, pointed tips on its terminations. These embryo serifs are inspired by the legacy of a sign-writers brush, and add an overall texture and character to this, otherwise minimalist, style of lettering.
Snag has a warm and traditional feel with a modern clarity.
A strong component for a multitude of graphic design functions, including packaging, shop fronts, bar signs, advertising and clothing.
Snag features a large glyph set, suitable for Latin-based languages worldwide.
Hoplight is a friendly, curvy, hybrid. A fusion of the cool character of a roman, with the flow and informality of an italic.
Throughout Hoplight, many sharp serifs have been replaced by dot style serifs, to allow the contours of the letters to flow seamlessly into the terminations.
Hoplight embodies a sense of playful ease.
English Engravers Roman is inspired by the beauty and eccentric detailing of British stone carved lettering. After observing many beautiful inscriptions around London and southern England, Robbie Smith decided to create a font family in homage to this rich heritage.
English Engravers Roman features a set of beautifully balanced uppercase Roman, and a characterful lowercase alphabet with some endearing quirks. More…
Each font in the family features a comprehensive character set with many ligatures, added to enhance letter spacing. The fonts all feature an additional set of old style numerals. Many extra characters and ligatures can be accessed via the ‘insert glyph’ functions in graphic design software.
Zona Black Slab is a geometric slab–serif display black typeface. It is the brother font of Zona Black which was inspired by posters from the late 1920’s. Despite being black it has a tall x–height making it quite legible even in smaller sizes.It’s strong features are the clean lines and neat square slabs and the distinct glyphs which tend to look even more beautiful in big sizes.
Zona Black Slab supports latin and greek characters, ligatures and special characters. The Zona Black Slab awaits you!
Farmstand is a fresh and joyful font with the same kind-hearted feeling and naiveté of your local farmstand. Paired with Farmstand Goodies, 52 hand-drawn images of funky farmers' fare, you can celebrate and have some pickles, savor sweet strawberries, or get creative with Cosmos.
Sometimes life can be simple.
Abdo Joody is a straight style. This is an OpenType Font supporting Arabic, Persian and Urdu and compatible with the various operation systems and modern software.
The combination of square Kufi and modern styles made it a beautiful typeface, appropriate to titles and text, and able to meet the desire of the user in the design of ads and modern designs of various types of audio and visual.
I will add more weights of this font with Allah willing.
Metro Nova comprises seven weights, from ultra thin to extra black in regular proportions, and six weights as condensed designs. Each has an italic counterpart for a total of 26 fonts.
The family is available as OpenType® Pro fonts, which provide for the ability to easily insert typographic features such as ligatures, fractions and alternate characters.
Pro fonts also offer an extended character set to support most Central European and many Eastern European languages.
NT Guru is a multiple layered typeface especially designed for display use. To create beautiful typographic designs the possibilities are endless by using layers and colors. A beautiful set of arrows and multiple language support makes Guru complete for any unique and ornamental design.
NT Guru is a set of 5 fonts designed by Novo Typo (typo)graphic designers from Amsterdam - The Netherlands.
Let’s add a little charm between letters with this sweet and straightforward hand-drawn typeface.
Charmante is ideal for save-the-dates, wedding announcements, invitation cards, greeting cards, gift tags, cafe or restaurant menus and for any other lovely and charming design.
The collection Oro y Plata (Gold and Silver) is a Mexican style blackletter, dedicated to the three big silver cities – Taxco, Zacatecas and Guanajuato. Taxco is more angular compared to rounded Zacatecas and elaborate Guanajuato.
The fonts contain small capitals, ligatures, initial forms, contextual alternates and other OpenType features. The special feature is a stylistic set of superscript caps with possibility to underline them.
It supports all the European languages using Latin alphabet.
Sala de Fiesta is inspired by a handpainted sign for a ballroom in the island of Fuerteventura. The missing letters where drawn keeping the existing ones' idiosincracies (casual serifs, star-shaped dots). Though hand-drawn the font manages unexpectedly to be very readable as body text, with the proportions of a condensed sans serif.
Prozak is a sans serif font, created for captions and text blocks.
Available also in bold and light version, it can be easily used in different situation.
Zulia is located in the west of Venezuela and it is the state in where Joluvian grew up. It is a region of sunshine, high temperatures, oil and cheerful people, although we choose the name to honor her mother who is from there (zuliana) and who is proud of her land and everything that it represents the area.
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After that he developed the full alphabet and its various options for each letter, starting from a set of handmade forms that could be connected in different ways according to the user needs.
What motivates him to involve this style was to create a differentiation with his daily work by generating a heavier type, contrasted and low rise.
Our Rum Raisin Pro was inspired by the lettering from a vintage Kellogg’s Raisin Bran cereal box, yet is has expanded from what was originally a unicase design to include a lowercase character set.
For those seeking to use the original unicase A, you can find it in the Delta character slot. Fun and festive, this font plays the comic clown to perfection. The SmallCaps and extensive figure sets offer a change up to a slightly more serious tone or alternate personality for a wider range of use.
The Gold Rush is over, the prospectors have made their fortune and the mine has been worked out! The inhabitants of Boomtown USA have moved on -- the saloon is dry, the sheriff has hung his hat and the only visitors to the local whorehouse are tumbleweeds.
Yeah, the buildings remain -- hollowed out husks carrying memories of bar room brawls, high noon shootouts and high stake poker games between outlaws -- but if you take a walk down the street be careful not to kick up too much dust...
Turn the corner and you might see Ol' Toothless Joe standing on the corner sucking on a bottle of whiskey... And don't walk too slowly past the storefront of the undertaker -- that guy made his living putting strangers like you in a wooden overcoat from sunrise to sundown.
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Helsinki 2.0 is a completely updated version of our popular Helsinki typeface. We expanded the character set, changed the weight structure, and also added italics.
Helsinki is inspired by the Finnish traffic sign typeface.
It is based on geometric shapes, with technical and masculine forms. Helsinki is rather narrow, which makes it well suited to headlines and short text.
Sleepy time… Ah, if only your kids would go to bed, close their eyes and drift off to sleep. This font was created when my son had some problems falling asleep: he'd cry, he wanted to sleep in a different bed, he wanted a different animal friend (he has Tij - a tiger, Meh - a sheep, Rafi - a giraffe, Moo - a cow, Woofy - a dog, Kikker - a frog).
Sleepy Time font is an all caps typeface with uneven letters and a very different upper and lower case.
It comes with all languages, including Cyrillic!
We are really happy to introduce you to Cinta, a brand new elegant sans serif font designed for text. It has a humanistic skeleton, dressed up with a hand-made mechanical suit, which made it rush, audacious.
A dedicated tribute to the breakdown of mestizo music rhythm, bright, dreamy but completely real.
Full of a broad variety of weights and versions, it’s able to produce subtle changes in the typographic stain.
Perfect to make delicate hierarchy both in web and text and show the world their family background undoubtedly. More…
Discreet even in the italic, slightly slanted to produce a subtle change of stain on web use, will make a delightful for the most exquisite users with the audacity of modernity. Classic but not silly.
Polyglot, with support for Latin languages, Central European and Cyrillic.
Chennai’s market-tested type styles have taken new form once again. The geometric forms of Chennai and its derivant Madurai, both successful in web-based applications and logotypes, have now been adapted for the superfamily Madurai Slab, a potent, square slab serif ideal for headlines and posters.
Under the surface of Madurai Slab’s straightforward geometric structure, the font’s exaggerated vertical serifs provide the face with an extra chunk that commands the reader’s attention and gives the font more impact in its heavier styles.
The extra-fortified forms are anything but monotonous, though. The bolder structure of the slab is instead rational, diligently thought-out, with minimally contrasting strokes, making the sturdier look particularly legible in shorter textual content blocks.
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All users of the Madurai Slab collection can access numerous OpenType alternates. Madurai Slab is furnished for experienced typographers, together with alternates, compact caps and many alts like “normalized” capitals and lowercase letters that come with stems.
The typeface also contains a range of numeral sets, together with fractions, old-style and lining figures with superiors and inferiors. OpenType-capable programs including Quark or the Adobe suite allow quick changes to ligatures and alternates.
Previews of these options can be found in the .pdf brochure.
In all, Madurai Slab supports around forty languages that utilize the prolonged Latin script, making it an excellent option for multi-lingual publications and packaging. This richness of options makes this the best slab serif family for websites as well as for print, motion graphics, logos, t-shirts and the like.
In the hands of a learned designer, this new slab offers the potential for beautiful and well-blended layouts. With its widths adjusting to compact and extended content blocks, this typeface is perfect for the headings, captions and other brief, immediate messages that you need to drive your message home.
Accord Alternate Italic is designed at an italic angle of 10 degree. All the letter forms have been kept similar while designing italic instead changing the form e.g. ‘a’ remains same double storey in italic also instead changing it to single storey.
The intention is to keep it simple and neutral which helps communicate the corporate sense of professionalism.
A clear and enjoyable reading experience hinges on the legibility of text copy, especially when reading on screen. This is why Monotype has developed the eText collection of fonts specifically tailored for the text-heavy display environments of e-readers, tablets, mobile devices, and the Web.
The inspiration source for Chaoxiang Monogram is another hand-drawn treasure from a vintage embroidery publication which plays on the anglo-version of chinese letters with stabbing strokes and the charm of the orient.
While the original intent of this monogram style is uncertain, the possibilities of its use are up to your imagination. This is one of many monogram designs from the early 1900’s which fall into a two letter format bound within a framing element.
Download and view the MFC Chaoxiang Guidebook if you would like to learn a little more.
The Renzo™ types are mainly variations on the theme of Hermecito. The roman is a slightly lighter design and the wedge serifs of the Hermecito design are now much reduced and sharpened; the letters of the italic (originally called ‘Lucia’) are vertical.
A and B fonts with alternative letters are supplied. Cyrillic and ‘polytonic’ Greek letters are contained in each of the regular fonts. If boldface is required the bold and extrabold forms of Hermecito can be used with the Renzo type comfortably.
The high-resolution specimens (pdf for US Letter and A4) contain sample texts.
- Open counters, sharpness of line, close-fitting punctuation More…
The inspiration source for Verre Monogram is an unusual hand-drawn letterset from a vintage embroidery publication which comes off more as a Drop Cap or Initial lettering style than monogram. Although its original intention is uncertain, it has many possibilities.
This monogram design from the early 1900’s has been updated from a Capitals only to a Caps/Smallcaps set with decorative linking ornamentation. The unique stained glass look of the letterforms allows for a lot of play with manual coloring, and the newly created linking ornaments offer interesting bracelet monogram design options.
Download and view the MFC Verre Monogram Guidebook if you would like to learn a little more.
The inspiration source for Triangulus Monogram is a vintage publication called “Bibliotheque D.M.C: Alphabets et Monogrammes 2nd Series”. Found in that specimen book, is an alternative to the traditionally seen diamond monogram style.
A triangular form, this monogram style is now digitally recreated and revived for modern use in Triangulus Monogram, with two letter monograms and a selection of additional frame styles for a final classy touch!
Download and view the MFC Triangulus Monogram Guidebook if you would like to learn a little more.
Looking for a sans serif that is ready to work hard for you? Meet Onward; simple and elegant in all sizes as well as legible in small sizes. Explore and write some sample texts here on the website and see all the fine distinctions between weights and styles regular, italic, bold and bold italic.
Onward also offers many ligatures, arrows, alternatives, small caps, special numerals for capital letters/small caps/regular respectively ... and more!
Onward is a natural choice for a corporate font, for logos, for brochures and a whole range of other purposes in relation to creating a strong visual and modern identity.
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Abdo Title is a simple Naskh font for newspaper and magazines discriminate accurately design and clarity of reading.
Abdo Title is compatible with the various operation systems and modern software.
We will later add the rest of the weights.
This font also suitable for books titles and advertisement.
Ekbatana is a new creation of Naghi Naghashian. Ekbatan design fulfills the following needs:
A. Explicitly crafted for use in electronic media fulfills the demands of electronic communication.
Ekbatana is not based on any pre-digital typefaces. It is not a revival. Rather, its forms were created with today’s technology in mind.
B. Suitability for multiple applications.
Gives the widest potential acceptability. More…
Ekbatana’s simplified forms may be artificial obliqued in InDesign or Illustrator, without any loss in quality for the effected text.
Ekbatana was developed for multiple languages and writing conventions.
Ekbatana supports Arabic, Persian, and Urdu. It also includes proportional and tabular numerals for the supported languages.
The highest degree of geometric clarity and the necessary amount of calligraphic references. This typeface offers a fine balance between calligraphic tradition and the contemporary sans serif aesthetic now common in Latin typography.
Unlike its fellow Bugler fonts, Bauhaus Bugler’s design never appeared in Harry Warren’s 6th grade class newsletter, The Broadwater Bugler, but its design came about during that same period in 1975.
Because of this, it has been officially designated an honorary Bugler font! Its theme of broad curves that leap over and under conjure visions of fashion and high-end department stores with their dress boxes and shopping bags, plus hair products, cosmetics, couture, and other stylish personal merchandise of the highest caliber.
Bauhaus Bugler also has an art deco flavor, especially when all capitals are used. It comes with two alternate versions of the upper and lower Y to give users more freedom of choice. Put Bauhaus Bugler in your ‘haus’ today! Digitized by John Bomparte.
These two extra bold fonts are classic slab serif wood type styles with one detail of difference. Columbian is an extra bold Clarendon wood type that was manufactured by many of the wood type manufacturers in the late 19th century.
“Clarendons” feature bracketed or rounded serif joins whereas “Antique” was a class of typefaces that features squared off slab serifs. Some type designs have only minor differences from others.
The Columbian design is essentially identical to Wm. Page & Co.'s “Antique no. 4”, with the difference being the bracketed serifs. More…
This font is in fact “Page Antique no. 4”. Comparing Antique #4 to Columbian specimens from Hamilton and other manufacturers confirms the only real difference is the serif treatments.
Therefore, both fonts are presented as a pair. Each font features a full Western & Central European character set.
Grota is a very expressive font, has a gestural character inspired by the hand lettering .
Grota is grotesque, unicase and exceptional. It has six weights ranging from thin to black with their italics.
It is ideal for logos, brands, magazines, headlines, books. etc.
Photography by Matías Troncoso
We are proud to announce the release of Centrale Sans Rounded, the rounded addition to Centrale Sans family. With Centrale Sans Rounded we've tried to make a difference - good looking typeface at a reasonable and affordable price.
It comes in six weights plus their matching italics and the proper amount of OpenType features and glyphs.
The font Pillar is inspired by steel pillars that support buildings and bridges together. In similar fashion, the font is designed to support the content for which it will be used. The font is intended to be used as a header or headline font, but a creative designer will find other uses for it.
Most of the characters are based on the same rectangle and therefore contain the same width which displays symmetry. The font contains 242 glyphs which include: uppercase and lowercase letters, numbers, symbols, accented characters, and ligatures.
Abdo Egypt is a geometrical style. This is an OpenType Font supporting Arabic, Persian and Urdu and is compatible with the various operation systems and modern software.
The combination of modern Kufi and Geometrical styles and the variation between straight and curved parts made it a beautiful typeface appropriate to titles and text and able to meet the desire of the user in the design of ads and modern designs of various types of audio and visual.
Star Cursive is a connected letter script which is full of stars! Float with the stars, drifting through the galaxy! Use this star font whenever sparkle, glamour or a touch of the stars is needed.
Star Cursive is extended, containing the full West European diacritics and a full set of ligatures, making it suitable for multilingual environments and publications.
Our Maiden Orange Pro is a light and festive slab serif font inspired by custom hand lettered 1950’s advertisements. Clean and legible, while also being offbeat and friendly, this font lends itself to a wide variety of uses.
The SmallCaps and extensive figure sets offer a slightly more serious tone as well as a wider range of design use.
Opentype features include:
- SmallCaps.
- Full set of Inferiors and Superiors for limitless fractions.
- Tabular, Proportional, and Oldstyle figure sets (along with SmallCaps versions of the figures).
- Stylistic Alternates for Caps to SmallCaps conversion.
Selektor is a small font family characterized as geometrical sans. Inspired and after that designed with charm of technical letters, it contains a few letters with specific endings that gives Selektor a peculiar impression.
Global overview of Selektor says it’s a neutral, corporate, stable, well balanced font family, but not cold and heartless to leave readers without remembrance on its characteristics.
It is fully appliable in all kinds of publications, from long texts in paragraphs to titles and product names.
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