Philson Block is a family with upright and oblique versions. The structure of each character is based on a square divided into simple fractions. Each letter has at least one variation, with angled corners, increased widths, or altered shapes.
This font is recommended for display lettering, headlines, and blocks of type that mask images.
Ristretto Slab Pro is a slab-serif companion to Ristretto Pro. It’s an extremely narrow display slab-serif font family available in 8 weights. It features rich language support, 6 sets of figures and small caps.
Ristretto Pro is an extremely narrow display sans-serif font family available in 8 weights. It features rich language support, 6 sets of figures and small caps.
Ristretto Pro also comes with its slab-serif counterpart - Ristretto Slab Pro.
The Sketchnote Typeface was born of necessity: veteran designer and illustrator Mike Rohde needed a series of hand-drawn fonts to produce his recent book, The Sketchnote Handbook (2012, Peachpit Press).
Because of its origin, the typeface was designed to be practical, to convey the human character and quirks of Rohde’s normal handwriting and unique hand-drawn lettering with the benefits inherent in digital fonts.
More…
Square also includes a handy selection of fun icons, rules, and arrows—some functional tidbits for your design projects. They are accessible via the OpenType feature “Ornaments” or “Stylistic Set 2” For added convenience, those same fun icons, rules, and arrows are also available as a standalone font, Sketchnote Dingbats, which comes packaged with Square and the full family package.
Under the hood, the texture was carefully edited by hand, eliminating outline errors and keeping the point count low for optimal performance. These fonts are crafted to the highest industry standards.
Sketchnote is great for a variety of projects where a handcrafted aesthetic and ease-of-use are desired.
Have you ever stop and think how cool it would be if Helvetica and Museo become one single font? Suicca is a geometric font inspired by Helvetica and Museo that makes your project readable and fancy.
An old printer’s advertising cut for Red Star Oil Stoves yielded a typeface that was both vintage and somewhat techno at the same time.
Originally drawn as a slanted logo, the individual letters had an array of chamfered, angled and flat sides combined with a bold outline.
This font is available in both vertical and oblique versions.
The movie trailer for the1936 film “After the Thin Man” is filled with text lettered in this classic Art Deco condensed typeface. Sleuth JNL seems the appropriate name for this digital revival, as the romantic comedy centers around detective Nick Charles' and his wife Nora’s adventures.
For those who can't get enough of the wonderful illustrations, embellishments and dingbats of days gone by, Print Assistants JNL collects more of them in one handy font file.
font family from chris philson, added today
Philson Block is a family with upright and oblique versions. The structure of each character is based on a square divided into simple fractions. Each letter has at least one variation, with angled corners, increased widths, or altered shapes.
Borders, embellishments, spot illustrations and a miscellany of other dingbats are gathered in Print Art JNL as another collective of nostalgic imagery for print and web projects.
font family from Mint Type, added yesterday
Ristretto Slab Pro is a slab-serif companion to Ristretto Pro. It’s an extremely narrow display slab-serif font family available in 8 weights. It features rich language support, 6 sets of figures and small caps.
font family from Mint Type, added yesterday
Ristretto Pro is an extremely narrow display sans-serif font family available in 8 weights. It features rich language support, 6 sets of figures and small caps.
Nature Stencils JNL brings together a number of vintage decorator stencils with bird and flower motifs (along with individualized elements from the original designs).
These home decor stencils were manufactured by the Huntington Oil Cured Stencil Company somewhere around the early 1950s.
Originally located in Huntington, New York, the company later relocated to the South Florida area, but there is no additional information found about the company’s background.
font family from Delve Fonts, added yesterday
The Sketchnote Typeface was born of necessity: veteran designer and illustrator Mike Rohde needed a series of hand-drawn fonts to produce his recent book, The Sketchnote Handbook (2012, Peachpit Press). Because of its origin, the typeface was designed to be practical, to convey the human character and quirks of Rohde’s normal handwriting and unique hand-drawn lettering with the benefits inherent in digital fonts.
Michael Wenssler or Michael Wennsler, operated a press at Basel betweeen 1472 and 1490. He apparently
suffered financially to the point that he fled his creditors and came to France where he managed to print a further 10 works to bring to a total an estimated 150 books.
This font face dates to 1482 and is a wonderfully well rounded and uniquely decorative example of the early blackletter style.
Мир is Mir.
The Russian word Мир (Mir) means both World and Peace.
The rendezvous of the two terms seems quite unique and utopistic today, but it is comforting to see that it was natural at some time deep down in Russian history.
Bits of both meanings were going through my mind while I was designing this typeface. More…
In fact it covers more than 100 languages. Stylistic consistency between the language systems make typographic border crossings painless even where national borders are still closely guarded.
And in regions where mathematics, physics or chemistry are to be expressed, a rich set of OpenType features lets Mir master also these situations.
So Mir doesn’t put on a show. Mir has authority without being authoritarian, it is serious but not stern. It can explain difficult things and stay calm and down to earth at the same time.
You can test the Mir Family with free Mir Medium and get more styles when you need them.
This is my frilly, girly font I created in 2011. It’s my version of my teenage handwriting. I hope you enjoy it and use it often. It’s perfect for fun scrap-booking projects or making cute tags etc.
Our Carioca Script Pro was inspired the lettering from the RCA Records Stereo Action Series from the 1960’s. It’s a signature script that is both elegant yet slightly bouncy and truly sings…lending a happy-go-lucky flavor to any design.
This script is loaded with extra features - truly giving Carioca Script Pro something to sing about.
Opentype features include:
- Swash Capitals.
- Initial and Final forms of Lowercase letters via Stylistic & Contextual Alternates.
- Full set of Inferiors and Superiors for limitless fractions.
- Oldstyle figures.
- Ordinals.
- 10 Flourishes included in Carioca Script Pro. 90 Flourishes in Carioca Script Flourishes.
Clavo was picked for the EXHIBITION CALL FOR TYPE - NEW TYPEFACES and is presented in the Gutenberg Museum in Mainz, Germany.
Clavo is a multipurpose font family. It’s warmth comes from subtle details, classical proportions and traditional forms, while harmonious structure prevents distraction while reading.
This makes Clavo a universal typeface. In all sizes, from caption to display.
The family consists of ten weights. They were not created in a linear way. The steps between the weights were adjusted carefully to avoid a mechanical graduation, in favor to optical harmony.
More…
Woodlawn JNL is based on an open face wood type. A bold outline sans, this design is excellent for headline and titling applications.
At first glance, the lettering style of Technopen JNL seems to emulate the computer-age fonts of the 1980s. In actuality, this font is derived from an alphabet sample found in an instructional booklet for the Esterbrook Drawlet Pens.
The Drawlet line was Esterbrook’s answer to the iconic Speedball pen points sold through their chief competitor, the Hunt Pen Manufacturing Company.
So, what seems to be late 20th Century typography is actually from vintage source material.
In fact, the entire contents of the instructional booklet were copyright 1929! More…
The name Technopen is a shortening of the term ‘technical pen’, which is both a nod to the techno age of the 80s and the technical instruments of the past utilized for drawing and lettering.
Streeter JNL is an all caps titling font based on the classic Beton Bold Condensed typeface. The Beton family of fonts was a printer’s favorite for decades.
Inspired by posters of the early 1900s, Revue was designed for Letraset in 1968 by Colin Brignall.
Revue is a sans serif design characterized by heavy bow-shaped letterforms, strokes that are clipped off at the ends of some capitals, for example the F and H, and an irregular baseline.
Revue is a fine choice for display work such as posters, advertising, and billboards.
Great Scott, Marty! This font is charged by the Power of Love!
DOUBLEBACK was created by Comicraft for the official BACK TO THE FUTURE fan club.
We can't guarantee that it'll take you back in time, but we can recommend a trip to the BACK TO THE FUTURE movies on DVD.
family of 6 fonts from Heinemann Collection
The Heinemann fonts were initially developed by the in-house design team at Heinemann educational publishing out of the necessity to find the perfect font for use in early primary reading books and literacy products.
family of 4 fonts from ParaType
An original typeface designed for ParaType in 2004 by Armenian designer Manvel Shmavonyan.
family of 1 font from GLC
In 1525, Albrecht Dürer, the well known German great artist, was publishing the so-called “Underweysung der Messung mit dem Zirckel und Richtscheytâ€, printed in Nuremberg. This handbook explained with numeral figures how to draw with a compass and ruler. A large part is devoted to the drawing of Roman characters, which can be used as decorative initials.
family of 7 fonts from Underware
Bello is a brush typeface for headline point sizes - it’s big & beautiful. Bello has lots of ligatures and start and ending swashes. They are automatic in Bello Pro, which is a cross-platform OpenType font with many OpenType features.
family of 3 fonts from Alex Meier
Minora is a contemporary sans serif type family of three weights. Glyphs with open, plain and reduced forms are attributes of Minora. Several OpenType features allow different figure sets, fractions and more.
BluHead Studio LLC is pleased to announce the release of 4 fonts from the Churchward Conserif family designed by New Zealand typeface designer Joseph Churchward.
BluHead Studio is in the process of digitizing many of the fonts in Churchward’s extensive library of exciting and unique designs and will be releasing them in OpenType format on a regular basis.
Make an impact with geometric cubes!
The Cubista Geometrica typeface is a monospaced design created to form repeated patterns, either individually (single symbol) or mix and matched with partner charaters. Each image is accessed through the standard keyboard—instead of letters, you'll get an image or glyph. This monospaced typeface is designed proportionately high as it it wide making it easy to form multi-line patchworks. The combination possibilities are enormous—this font comes with a PDF guide showing many of the assembly options, the rest we leave to your own imagination!
Developed from doodles, Loza is a enjoyable whimsical font offering a text face and a dingbat face.
family of 1 font from Flat-it
This 8-bit pixel font is designed with respect for 80s game designers and the pixel font pioneers in middle 90s. And for the calligrapher H.P. Behrensmeyer & Charles Paxton Zaner.
