Albrecht Pfister™

font family from Proportional Lime, added March 18th
Herr Pfister was a printer in the city of Bamberg Bavaria. He is known to have published nine works. And it has been contentiously argued that he printed the “36 line Bible.” He was responsible for two innovations. The first was printing in his native German language and the second was the use of woodblock prints to add illustrations to the text. These were both first with the use of movable type. He was heavily influenced by Gutenberg’s typefaces but there are a range of notable and also subtle differences between the two men’s output. He was known to be active in the industry from about 1460 to his death in 1466. This font was specifically based on his “Biblia Paperum.”
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Historic Warehouse

font family from Just My Type, added March 18th
Gotta tell ya: think out of the box and this font is addictingly fun to use!
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Korpo Serif

font family from Borutta, added March 18th
Korpo Serif, designed by Mateusz Machalski, is a serif type family with a friendly feel. Serif style brings to mind egyptian or slab styles.
This type contains 10 variants with two different “a” ang “g” glyph per style. Korpo contain Small CAPS in two styles. Broken details were made intentionally for better readability.
The low contrast and high x height is perfect for longer text and Headlines.
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ARB-187 Moderne Caps AUG-47

font family from The Fontry, added March 19th
Beginning in January, 1932, Becker, at the request of then-editor E. Thomas Kelly, supplied SIGNS of the Times magazine’s new Art and Design section with an alphabet a month, a project predicted to last only two years. Misjudging the popularity of the “series”, it instead ran for 27 years, ending finally two months before Becker’s death in 1959, for a grand total of 320 alphabets, a nearly perfect, uninterrupted run. In late 1941, almost ten years after the first alphabet was published, 100 of those alphabets were compiled and published in bookform under the title, “100 Alphabets”, by Alf R. Becker.
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Secret Diary

font family from Hanoded, added March 19th
Secret Diary is a nice bit of uncomplicated handwriting: it is rounded, feminine, legible and above all - natural in appearance. Secret Diary comes with some ligatures and an overdose of diacritics.
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Heraldica Script

font family from Sudtipos, added yesterday
Ornamented scripts are a Koziupa/Paul specialty, and Heraldica is one of their most expressive. It attains the very definition of deluxe by conjoining the classic thin-and-thick script treatment with thin-only counterpart strokes, then it goes the extra mile with a varied complement of overlaid flourishes. The usual assortment of multiple alternates and ending forms pushes it even further in class and versatility.
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NaNa Arabic

font family from Naghi Naghachian, added yesterday
NaNa Arabic is a new creation of Naghi Naghashian. It was developed in 2012/2013 on the basis of specific research and analysis of Arabic characters and definition of their structure. This innovation is a contribution to the modernisation of Arabic typography, giving the font design of Arabic letters real typographic arrangement and providing greater typographic flexibility. This step was necessary after more than two hundred years of relative stagnation in Arabic font design.
NaNa Arabic supports Arabic, Persian and Urdu. It also includes proportional and tabular numerals for the supported languages. The NaNa Arabic Font Family is available in four weights: Thin, Light, Regular and Bold. The design of this font family is inspired by two classic scripts: Kufic and Naskh. The quasi-geometric character of Kofic melds with the calligraphic grace of Naskh, which was invented by Iben Moghleh, an Iranian savant of the ninth century. He lived in Baghdad and was assassinated at the instigation of an Abbasid caliph. He was a polymath and a renowned scholar. I dedicate the design of this font family to the memory of this great man.
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