A skillful revival of the Uncial by S.H. de Roos for Lettergieterij Amsterdam in 1938.
lunedì 2 dicembre 2013
1589 Humane Bordeaux Font Download
This family was created inspired from the Garamond patern set of fonts used by S. Millanges “imprimeur ordinaire du Roy”, in Bordeaux, circa 1580-1590. Especially for reprint L'instruction des curés (Instructions to parish priests), from Jean Gerson.
The set contains two styles, Normal and Italic, the second one with a lot of caps and ligatures variants.
The initials, except a few decorated letters (six in total) where only large caps, covering no more than three lines. Added are a few fleurons. More…
Its original cap height is about five millimeters. Decorated letters like 1512 Initials, 1550 Arabesques, 1565 Venetian, can be used with this family without anachronism.
Kuppa Font Download
Kuppa is a yummy display unicase with a lot of attitude. Two styles within the Kuppa family a like brothers — look alike and still completely different. Both brothers have 555 glyphs, including alternates, ligatures, fractions and even german capital eszett and excluding Cyrillic in Basic version.
Kuppa Regular is clear, powerful and will suit for menus, coffee shop and restaurant use, for magazine handwritten heads and sub-lines and even for kids books.
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Iranica Font Download
Iranica is a new creation of Naghi Naghashian. It is extremely legible even in very small size. “Iranica” is reminiscence to my birthplace and my cultural root.
Iranica is a modern Sans Serif font family.
This innovation is a contribution to modernisation of Arabic typography, gives the font design of Arabic letters real typographic arrangement und provides more
typographic flexibility.
Iranica supports Arabic, Persian and Urdu.
The highest degree of calligraphic grace and the clarity of geometric typography. This typeface offers a fine balance between calligraphic tradition and the Roman aesthetic common in Latin typography.
It also includes proportional and tabular numerals for the supported languages. More…
B. Suitability for multiple applications. Gives the widest potential acceptability.
C. Extreme legibility not only in small sizes, but also when the type is filtered or skewed, e.g., in Photoshop or Illustrator.
Iranica’s simplified forms may be artificial obliqued in InDesign or Illustrator, without any loss in quality for the effected text.
D. An attractive typographic image. Iranica was developed for multiple languages and writing conventions.
Iranica supports Arabic, Persian and Urdu. It also includes proportional and tabular numerals for the supported languages.
E. The highest degree of calligraphic grace and the clarity of geometric typography.
This typeface offers a fine balance between calligraphic tradition and the Roman aesthetic common in Latin typography.
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