Visualizzazione post con etichetta Sans™. Mostra tutti i post
Visualizzazione post con etichetta Sans™. Mostra tutti i post

mercoledì 11 dicembre 2013

Josef Sans™ Font Download

Josef Sans™

The idea to add an original sans-serif to the Tyfa’s Roman got Jan Solpera at teatime in Domanín during the “typographic weather” at the end of October 2013. We started to work on this interesting task immediately.

We already had something to build upon: Týfa left his opinion on sans-serif type in several versions of Juvenis, then Antikva itself offers a wide range of building blocks for a sans-serif alphabet.

The proportions are chosen so that the new sans would combine well with the favourite Academica. It has five weights with italics, and small caps, Cyrillics, numerals, ligatures and other OpenType features coincide exactly with the Tyfa Antikva.

It can be used everywhere you need an extremely readable and stylish font.

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giovedì 7 novembre 2013

Clear Sans™ Font Download

Clear Sans™

Clear Sans is a… wait for it… rational geometric sans serif. It is intended to fill a niche… to provide an alternative to the somewhat based on vernacular signage, somewhat geometric sans. I hear the word vernacular thrown around too much and too loosley.

If a typeface is based in the vernacular, based on hand-painted or hand-crafted signage, then it should be based on the movements of the hand, retain that warmth and not on a pretty geometric model.

For me, clean, geometric and precise doesn't have to be cold and expressionless. More…

The original skeleton was hand-painted in 2008 to help determine and inform my decisions going forward.

The typeface was completed shortly afterwards at the behest of an old friend for their identity. As usual, I expanded it, but considered retiring it since there was so many things similar out there.

Years later, I had a chance to rediscover it and came to the conclusion that it could be improved, expanded in a logical and useful way, and introduced.

I would be lying if I didn't admit that the rise of webfonts and embedded type in applications influenced many of the decisions I made about reworking Clear Sans.

Completely new Text and Screen fonts were developed that utitlize larger x-heights, space-saving widths, logical (and simplified) weight offerings… to name a few alterations. Even the pricing of each variant was considered to produce a more reasonable and simple solution for the developer, designer, professional and novice.

Clear Sans is a departure from my previous sans serifs, but the influences of Aaux Next, Akagi Pro and Halogen are evident.

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martedì 13 agosto 2013

Grit Sans™ Font Download

Grit Sans™

Grit Sans is a font balanced enough to stand strong on the tippy-toes of its pointed “t” ascenders. Even all caps communicates calm. Dashes of whimsy in the proportionately plump X-Heights tell of the accountant drinking too much sherry at the office Christmas party, but thick, consistent strokes never lets you forget his job title.

Ascenders and descenders consistently reach the same heights and depths, further attesting to the reliability of this typeface, at even very small sizes.

Available in both regular and bold face, Grit Sans is a faithful complement to thin fonts with a pinch of frivolity such as Heirloom Artcraft.

It is ideal in use for titles, subheadings, menus, playbills, custom stamps, logos - anywhere a solid font can speak at a volume just above all others.

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martedì 26 marzo 2013

Abitare Sans™

font family from FSD, added March 18thAbitare Sans™
Abitare Sans was originally commissioned by the group Rizzoli Corriere della Sera. It’s a typeface of 30 weights designed to be used in Abitare magazine.
More to download Abitare Sans

giovedì 21 marzo 2013

Guanabara Sans™

font family from Plau, added yesterday

Guanabara Sans™

Guanabara is the third release of Plau Type Foundry (formerly known as Niramekko). It started from the need of a wayfinding typeface that had personality enough to be the brand typeface for a city.

More font family from to download Plau

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