
Modern Brush is a hand painted brush font by Street Type.
If there s a back-story about the design inspiration for Modern Appliances JNL, it’s lost to time. An unfinished design for quite a while, this clean sans with an Art Deco flair was recently completed, and the design quality should speak more for its appeal than any promotional blurb.
Most fonts include uppercase and lowercase letters. Some experimentally-minded designers have proposed unicase typefaces as well: rather than having two different forms for a given letter, unicase fonts have one, chosen from the upper- or lowercase forms.
Ambicase Modern takes the next step, offering not "either/or", but rather "both/and".
Each letter in Ambicase Modern is a combination of its traditional upper- and lowercase forms, in a modern (didone) style. The inventive, hybrid forms that result are intriguing and handsome.
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Ambicase Modern stands out as a carefully crafted experimental font: its eccentric forms do not hinder its readability. It is suitable for high-style display settings.
Ambicase Modern offers a large character set and extensive OpenType features.
Most notably, in modern OpenType-aware applications, Ambicase Modern can be set in swash mode, which features sophisticated decorative flourishes that differ depending on whether the letter is at the beginning, middle, or end of a word.
Ambicase Modern is available in two optical sizes: Regular and Poster.
At very large sizes, the Poster cut, with its finer details, is recommended. For an extra bold variant, see its sibling typeface, Ambicase Fatface.
Originally cut in metal in 1937, Bernhard Modern seems to presage the demise of letterpress printing and the eventual rise of digital typography. Witness this comment on the typeface by its designer, Lucian Bernhard: My aim was to get all the spice and contrast into the contour ...
without counting on the ink spread. Lucian Bernhard was one of this centurys eminent graphic designers, and Bernhard Modern is his enduring masterpiece of type design.
The first in a series of typefaces based on the work of legendary lettering artist Alf Becker, whose works appeared in Signs of the Times magazine for almost thirty years.
Originally titled “Extreme Thin Gothic”, this was Becker’s 185th design for the magazine.
Both versions of the font include the 1252 Latin and 1250 CE character sets (with localization for Romanian and Moldovan).
Calligrapher Cursive Modern, is one of the calligraphic group of fonts called “21 alphabets for Calligraphers“.
All graphemes are taken from calligraphic pages written on Cursive Modern calligraphic stile.
This font is ideal for calligraphic sketches or for imitation of ancient manuscripts.
Cal Cursive Modern contains all the Latin and Cyrillic glyphs.